Skip to main content

What A Riot - Siranudh Scott






Methodlogy, Reflections, Wonderings:

I liked her methodology, I've always appreciated the inclusitivioty of theatre of the Oppressed; due to its direct to audience contact methodology of the play- ensuring most people embrace and understand and have a stronger take away of the theaters message. This is what she did, she had the students get involved and chose real life figures they were inspired by, and re-enacted real life scenes that happened to those figures. The scenes were intersected with audience interactions and opinions on how to change the scene intersecting the play to reflect the audiences preferences for how the situation could or opinion on how the scene is played out.

I think it's a fantastic approach for the students to block in a play through this method, as it reveals how they feel about certain events and evidently the social/ racial scene they are faced with- but how things were back then and potentially how they could bring about change in the future. This sort of takeaway is dependent on the investment of the audience- their decision to replace certain characters or the way in which the character is presented (for example Claudette Colvin; having her being a strong protagonist portrayed as a sort of hero with Rodney King being portrayed as a tag along) makes their minds aware of how they feel about those issues and those figures. In the making of the play, the students also mentioned how they didn't want to be cast as Poor Latinos, in the process of acting out who they want to be and how they fit in with the scenario presented on stage can help them brainstorm how to realize their dreams; but also makes them aware of restrictions they can face- and what they want might want to change about that in the future.
By having the methodology be socially/ community based it can reaffirm the common paradigms one community may have/ wether that be a bad or a good one, to itself- which will make everyone feel closer and more prone to open up and talk about issues which the openness will result in a more success in fixing those issues.

Comments

Popular posts from this blog

Theater of the Opressed: Kazmiera Tarshis

Theater of the opressed exists to engage the audience and community in the perfrmance. It offers a vehicle for social change at a very accessible level.  I think the idea of asking the audience what the right choice is or to come up on stage and be a part of the performance is such an interestig cocept. It reminds me of those books that are "choose your own adventure". This seems to be a belief that many different theaters have in their own company beliefs section so it seems to be a relatively popuar idea within the theater world. Or, at leat, well known.  I wonder if having the play interrupted would ruin the imaginary world which has been created. Is there a better way to get the audience involved without changing the traditional structure of a play?

Jeremy Griffith - The Roof is on Fire

1. CONTEXT: What were the circumstances that framed the meaning and process of this project? There are many minority teens in low-income, low-opportunity areas who have unheard voices. Their self-esteem isn't cultivated and all of their portrayal in the media is negative. 2. CONTENT: What was the issue, need, idea or opportunity addressed by this project? Teen voices were unheard, opinions of them were based on negative media stereotypes, and many of them had very poor self-esteem. 3: FORM: What is the medium that was used to address or embody the content? Immersive theatre in the form of car-conversations that audience members could eavesdrop on. 4. STAKEHOLDERS: Which are the groups or individuals that were invested in the project? The teenagers were very invested because of their desire to free their voices. The adults who helped were invested because they wanted to help these kids start to change the narrative. And the d...

Gun violence in the Hollywood industry

Hollywood wants gun control for everyone BUT THEM! In the society where the nudity on the screen (sometimes in the theater, even at CalArts) is a huge issue, gun violence scenes are in many movies in the Hollywood industry and nobody care. Actors sign their contracts, do their characters, get their awards and then try to talk about gun violence and share their moral beliefs. Come on, stop being hypocrites and say NO! ,, The US is home to both the largest percentage  of guns per capita and the most influential entertainment industry on earth. And while there is ceaseless debate over the violence in our nation, there is no question that, on our screens, it is at an all-time high — no more so than in PG-13 films .  Since that rating was created in 1985, deceptions of guns  on screen has more than tripled. Movies are more violent ratings more lenient, and overall gun-use in the film has risen approximately 51% in the last decade." https://www.refinery29.com/201...