Theater of the opressed exists to engage the audience and community in the perfrmance. It offers a vehicle for social change at a very accessible level. I think the idea of asking the audience what the right choice is or to come up on stage and be a part of the performance is such an interestig cocept. It reminds me of those books that are "choose your own adventure". This seems to be a belief that many different theaters have in their own company beliefs section so it seems to be a relatively popuar idea within the theater world. Or, at leat, well known. I wonder if having the play interrupted would ruin the imaginary world which has been created. Is there a better way to get the audience involved without changing the traditional structure of a play?
Assignment: Aesthetic Evangelists - Due 1/30 Three key ideas in the text that resonate with me: The first is the idea of the "new public art," or what we would call "community engaged art." The article discusses the transition from art displayed in public sites to community based projects that have the goal of collaboration and focus more on the process than the end result/outcome. This intrigues me because before this class I was honestly very unaware of this form of art-making and its growing prevalence. Another idea that resonates with me is when the author talked about community based public art of today drawing on the urban reform rhetoric of the past both consciously and subconsciously. This stood out because it's an old adage that history repeats itself and I think it's interesting that the times we live in now call for a callback to this type of work and a more curious examination of what this can do for people and their communities. Th...
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