- Context: EDT’s Transborder Immigrant Tool caused grand controversy and an investigation by the government.
- Content: To guide immigrants crossing the southern border to water while providing poetry.
- Form: A phone app
- Stakeholders: EDT/ b.a.n.g. lab artists
- Audience: People crossing the Mexican/US border
- Engagement strategies: Technology and art through poetry
- Goal: Most recognizably, the goal was to help guide immigrants safely to the US.
- Values: They value art as a mean to reach multiple audiences, express a message, help others, and keep a conversation.
- Resources: Artists, UCSD, the app, cell phones
- Outcomes: It caused a lot of controversy and EDT/b.a.n.g. received a lot of hatred for their work. But more so, they saved lives and created more of a conversation about this issue.
“The Joker System provided a perfect aesthetic vehicle to tell not only the story of Rodney King and the ensuing uprising, but a larger, ever changing and ever-the-same, storyo of violence, racism, and resistance in the US. Creating UPSET! In the mode of the Joker System provided a means to incorporate the teens curiosity, dismay, outrage, confusion, fear, and inspiration in relation to the subject matter of the play within the play.” Here's a bit of extra background on the joker system: “The Joker System laid the theoretical foundation for the Theatre of the Oppressed, the umbrella term Boal employed for all his subsequent theoretical developments. Even in the Forum Theatre, his most popular theatrical format, the lineaments of the Joker system are apparent. The Joker System began in 1965, when the Arena Theatre performed Arena Narrates Zumbí. The word “Joker” had, in Boal’s mind, the same significance as the “Joker” playing card, a card which has more mobility than a...
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