Skip to main content

The Trans Border Immigrant Tool -Geneva Heron



1. CONTEXT: What were the circumstances that framed the meaning and process of this project?

Crossing the border literally/politically.

2. CONTENT: What was the issue, need, idea or opportunity addressed by this project?
The need for Latin America immigrants crossing the border to have access to water and art via poetry. 

3: FORM: What is the medium that was used to address or embody the content?

Mobile phone technology.

4. STAKEHOLDERS: Which are the groups or individuals that were invested in the project?

The group invested in the project was Electronic Disturbance Theater (EDT) 2.0/b.a.n.g. lab, which includes co-founders Ricardo Domniguez and Brett Stalbaum, amongst others. Also, Water Station Inc. and Border Angels.

5. AUDIENCE: For whom was this project conceived? 

This project was conceived for the benefit of immigrants crossing the U.S./Mexico border.

6. ENGAGEMENT STRATEGIES: How were the stakeholders, audiences, and others engaged/connected to the project?

Water Station Inc. and Border Angels had the resources to assist the project.

7. GOAL: What are this project's objectives?

The project's objectives were to provide poetry and guidance to water caches in the Southern Californian desert.

8. VALUES: What were the project's guiding values or core beliefs? How were they expressed in the process?

One core belief evident in this project was Dominguez's idea that artists "change the conversation theatrically, by disturbing the law." During this process, Dominguez was given an agreement to sign from UCSD, that he did not sign because it included clauses such as: never speaking/writing about what had happened, never creating any art work that might disturb anyone, and refraining from an artivist performances.

9. RESOURCES: What tangible and intangible resources were used to pursue the project's goals?

EDT 2.0/b.a.n.g. lab were to some degree funded by UCSD. They used mobile-phone technology. Water Station Inc. and Border Angels helped to provide them the locative wave points they needed for the water caches. There was also a community of people from curators to scholars to artivists who helped the project by getting the word out.

10: OUTCOMES: What were the results of this project? 

EDT 2.0/b.a.n.g. lab were investigated as a result of this project by three Republican Congressmen, the FBI Office of Cybercrimes and the University of California, San Diego. They were also targeted by right-wing media, including Fox News, which as a result caused them to by harassed via e-mail. In contrast, they received support from Water Station Inc. and Border Angels.

Comments

Popular posts from this blog

Jeremy Griffith - The Roof is on Fire

1. CONTEXT: What were the circumstances that framed the meaning and process of this project? There are many minority teens in low-income, low-opportunity areas who have unheard voices. Their self-esteem isn't cultivated and all of their portrayal in the media is negative. 2. CONTENT: What was the issue, need, idea or opportunity addressed by this project? Teen voices were unheard, opinions of them were based on negative media stereotypes, and many of them had very poor self-esteem. 3: FORM: What is the medium that was used to address or embody the content? Immersive theatre in the form of car-conversations that audience members could eavesdrop on. 4. STAKEHOLDERS: Which are the groups or individuals that were invested in the project? The teenagers were very invested because of their desire to free their voices. The adults who helped were invested because they wanted to help these kids start to change the narrative. And the d...

Geneva Heron Assignments

Assignment: Aesthetic Evangelists - Due 1/30    Three key ideas in the text that resonate with me: The first is the idea of the "new public art," or what we would call "community engaged art." The article discusses the transition from art displayed in public sites to community based projects that have the goal of collaboration and focus more on the process than the end result/outcome. This intrigues me because before this class I was honestly very unaware of this form of art-making and its growing prevalence. Another idea that resonates with me is when the author talked about community based public art of today drawing on the urban reform rhetoric of the past both consciously and subconsciously. This stood out because it's an old adage that history repeats itself and I think it's interesting that the times we live in now call for a callback to this type of work and a more curious examination of what this can do for people and their communities. Th...

Mind Map - Bri Pattillo